Constellations Super 8 (2000-2024)

A one-time student of both Peter Kubelka and Robert Breer, Fanderl makes her work impressionistically and intuitively, in response to the rhythms, forms, textures, and colors she encounters, and always limits herself to in-camera editing, so that each film becomes a reflection of the process of its own creation. Her practice is distinguished as well by her commitment to a particular way of presenting her work in public: generally projecting the films herself from within the screening space, Fanderl conceives of each screening program as a unique “montage” of individual works that together comprise a kind of ephemeral, never-to-be-repeated “film” in their own right (an approach made possible by the sheer multitude of pieces she’s created over the years). — Anthology Film Archives