Self Portrait of a Nude Model Turned Cinematographer
Viewers interested in modern cinema often explore Self Portrait of a Nude Model Turned Cinematographer because of its cast, story direction, and audience popularity.
Sharon Green's short film Self Portrait of a Nude Model Turned Cinematographer (1971) represents a collision of incipient cinefeminism and autobiographical filmmaking. Containing a blend of still photographs and subjective moving-image shots of her body, the work has largely been overlooked because of a reductive framing of it as mere homage to male avant-garde artists such as Stan Brakhage, for whom Green was a nude model.
