Como me da la gana II
Viewers interested in modern Documentary cinema often explore Como me da la gana II because of its cast, story direction, and audience popularity.
Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.
