Georges Didi-Huberman – douze images pour le meilleur et pour le pire
Viewers interested in modern Documentary cinema often explore Georges Didi-Huberman – douze images pour le meilleur et pour le pire because of its cast, story direction, and audience popularity.
Entering Georges Didi-Huberman’s home is already entering his work: the libraries and their classification, the organized reproductions, and especially the table on which the historian places a few images chosen for us, seeking their relationship of affinity, conflict, dialectical tension. 45 minutes pass where a world is constructed at the same time as a gaze is organized before our eyes, inside the frame. Not only the world of art, the world of images, but the world in general.
